Crunch time! The quilted cherry has met disaster, I have less than three weeks to build a new one. Think curly maple (bigleaf) trimmed in black walnut.
Looking good right now, today is the 15th. Sides are bent, the back will be joined and the back linings glued in tonight. Hopefully will get the back installed tomorrow, if not by Friday.
The top is glued together, scroll rough cut, everything is going good today!
The top is glued on with traditional heart soundholes. Tomorrow, trim the top and start carving the scroll. Getting excited as its almost done!(1-21)
Coming together nicely. Should have the scroll finished by Friday, Fretboard on Saturday, Sunday start sanding out. Wish the curl showed up better in the photo.
Scroll is glued on, Saturday at 9 a.m. Quick run for dogfood, fret the fretboard, a quick hunt at Busch Wildlife with the beagles, home to glue on the fretboard, then Sunday afternoon to sand. Hopefully get the first coat of finish on Sunday night! Decided the fretboard needed some pearl dots, it has them now, backed me up a day.
The fretboard....
It is now glued on, time for serious sanding! And now a coat of finish.
When I walk through a forest, the trees sing their songs to me. I respectfully take the timbers and transform them into music. No nobler use for wood is there.
A Brief History
Back in 1978, I was attending college at Southwestern College in Winfield, Ks. The first fall I was there, I saw an ad for help at a local Bluegrass Festival. A college student, broke, chance to make extra cash? I was all over this, so I signed on. Not only did I get paid, but I received free tickets to the festival. So there I was, walking around on Saturday, when on one of the back stages was a mountain dulcimer workshop given by three attractive women. I still remember two of them, Cathy Barton and Mary Faith Rhodes. I sat back and watched. I also fell in love with the dulcimer. Here was a simple instrument that originated in the USA, the Appalachians in fact, and made with woods that I was very familiar with due to my families mid western logging business. I went to these ladies shows, watched the Dulcimer Championships. I spent my earnings on a very cheap dulcimer. I could not learn to play.
The strings were too high, it was poorly made. The next June, there was a June Jamboree segment of the fall festival. Once again, I worked it, this time I spent my earnings on a dulcimer kit. I built this with less than half the recommended tool list, I remember using a rock to pound in the frets and a stack of bricks for clamps. I ended up with an instrument that was more playable, and amazingly enough, better looking.
It was at this time I transferred to Iowa State. A few years into school there, I discovered that there was a wood shop available for student use. Wood from the family sawmill, and my first dulcimer was made. Again I looked at it, thought about it, saw my mistakes, a cherry board from Dad, and I built number two. It was an hourglass, all cherry, natural knotholes for the upper sound holes. My Mother still has this one, A-2. I made 5 dulcimers at Iowa State, except for #2, I have no idea where or who has them.
I ended up back at home next, worked for the family logging business, built a few more in the basement of my parents house. One of those was shipped back to Winfield, Ks. I also entered one in the county fair, it received a ribbon. Can't remember how many I built in Woodbine, but they were numbered W-6 on.
I ended up back in Winfield, Ks next. Here I decided to get serious about the dulcimer business. It was here that I also took first place in a major art show with one of my dulcimers. These dulcimers were numbered Wf-XX. Not sure the starting number, but when I moved I was in the 50's.
My next shop was in Wapello, Ia. Here I got busy. The last dulcimer built there was Wp-149. Formed a loose partnership with a singer/teacher named Pat Walke. She had me build a student model. These were very simple in shape and design, allowed me to use a lot of scrap lumber and also try out new and "exotic" woods such as mulberry and honey locust. It was here that I also branched out into other instruments. I built two 3/4 size guitars, 18 old-time banjos, 2 hammer dulcimers, some kalimbas, and assorted other things.
My next move was to Winfield, Iowa, where I built WFI-150 for my wife. That was over ten years ago, and I am ready to re-open my shop in Webster Groves, Mo.
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